ad hoc.

This album is for someone with specific music interests. And by that I mean people who love soundtracks to Disney Channel original movies.

01-high_school_musical_2_cast-what_time_is_it.mp3

02-sharpay_and_ryan-fabulous.mp3

03-high_school_musical_2_cast-work_this_out.mp3

04-troy_and_gabriella-you_are_the_music_in_me.mp3

05-chad_and_ryan-i_dont_dance.mp3

06-sharpay-you_are_the_music_in_me_sharpay_version.mp3

07-troy_and_gabriella-gotta_go_my_own_way.mp3

08-troy-bet_on_it.mp3

09-troy_and_gabriella-everyday.mp3

10-high_school_musical_2_cast-all_for_one.mp3

11-sharpay_and_ryan-humuhumunukunukuapuaa_bonus_track.mp3

Ok, I am slooooowly trying to rebuild my music collection after losing it all, but I’ve managed to recover some interesting tidbits. Firstly, I finally found the soundtrack to 28 Weeks Later, and it is amazing. It was done by someone named John Murphy, whom I’ve never heard of before (Mike? Help me out?). Sure it’s reptitive, but it fits the movie perfectly. I am thinking of doing a list of the best movie scores.

don-abandons-alice.mp3 (dload)

Also amusing me is Avril Lavigne’s “Girldfriend” in Spanish. I hated the song when it came out, but somehow this makes it kind of better.

girlfriend-spanish-version.mp3(dload)

Also, Gary Glitter’s “Do You Wanna Touch Me There?” because it is pretty funny since he is now a child molestor. Also, you may know the song from Velvet Goldmine. In that case, the answer to the question is obvious.

do-you-wanna-touch-oh-yeah.mp3(dload)

Haven’t done this officially lately, because I’ve been posting songs everyday, but this is a special occasion, because this is M.I.A.’s first official single from her new album.

M.I.A.; “Boyz“

Also, BONUS! Especially posted for my brother: It seems this is the new version of the Transformers theme to be used in the new movie. I don’t know who sings it, but it kind of sounds like Linkin Park or Disturbed or some crap like that. .

Get Transformers

I am still hoping they use the Dirk Diggler/Chest Rockwell version of “The Touch”.  Speaking of, here’s the original to rock out to.

Get The Touch

Music and Lyrics was dreaaaaaaadful. I mean, physically painful. The first three minutes was the only enjoyable part. That’s because it was a video for High Grant’s fictional band Pop! which was really dead on for an 80s band. And the song is pretty catchy. You’ll see. [video]

Pop; “Pop Goes My Heart“

Here’s part one, part two, and part 3.

The Ramones, “Bonzo Goes to Bitburg” from School of Rock
I LOVE that they used this Ramones song, because it is so well done and not typical of the Ramones. And what better song to use of a montage of Jack Black teaching kids the basics of “real” Rock n Roll.

Dave Dee, Dozy, Beaky, Mitch and Tich “Hold Tight” from Quentin Taratino’s Death Proof
The most amazing sequence of the movie Jungle Julie requests the song on the radio and says the band’s name about a thousand times. They all rock out and then Stuntman Mike collides with them and it is the most.gruesome.carc.rash.on.film.ever. [video]

Michael Jackson, “The Way You Make Me Feel” from Center Stage
Omg. Here we go, the epitome of ballet schools, supposed to be at the forefront of dance, and the rogue choreographer does this really dumb act that mimics the drama going on among the character. There are motorcycles driven onstage. And simulated sex with a teenager. And 2 second outfit changes. If you have seen this movie, you know the end sequence OWNS. [video]

Huey Lewis and the News, “Hip to Be Square” from American Psycho
Patrick Batemen explains the subtle and intricate social messages of the song while bludgeoning Jared Leto with an axe. Beautiful. The movie did no justice to the book, but this scene came close. [video]

Venus in Furs, “Tumbling Down” from Velvet Goldmine
The whole movie is full of great moments and music, but this video is fantastic and symbolizes the downfall of all the character. Oh, and Ewan McGregor and Christian Bale bask in the afterglow of the sex they just had. Yeeeee! [video]

In case you missed it, here’s part one and part two.

“Smells Like Teen Spirit/Can Can” from Moulin Rouge
I went into this movie with no idea what to expect. When the well-dressed gentleman of the can-can nightclub broke out into this, I knew that Baz Luhrman was a fucking god. This whole sequence is like an awesome acid trip. [video]

CeCe Peniston, “Finally” from The Adventures of Priscilla, Queen of the Desert
In a movie about drag performers, one would hope that the performance sequence would be a good payoff. It was. Love the Maria Antoinette dresses. [video]

Johnny Cash, “When The Man Comes Around” from Dawn of the Dead
I can’t think of a better song to set the tone for an end of the world scenario. Johnny Cash was one morbid guy. Mass world panic, political strife, and religious overtones. Best opening sequence ever. God, I love this movie. [video]

Lou Reed, “Pefect Day” from Trainspotting
For a low-bidget movie, the special effects of sinking into the carpet are perfect to illustrate the overdose. [video]

“Wig in a Box” from Hedwig and the Angry Inch
The best song from this whole show. And one of the best costumes ever–made from humain hair. And let’s talk about the keytar. [video]

Animal Collective, “Winter’s Love” from Shortbus
A great song to use to show sexual/emotional frustration. So that’s what caused to the NYC blackout!

Here’s part one if you missed it.

The Pixies, “Where is My Mind?” from Fight Club
Although the literal relationship of the lyrics to the plot could be too obvious, how can you go wrong with using a Pixies song? Plus, blowing up Wilmington, DE needs a soundtrack. This is a rare time where the movie may actually be better than the book. Even Chuck P. thought so. [video]

Echo & The Bunnymen, “People Are Strange” from The Lost Boys
Another literal interpretation of lyrics. Corey Haim/Jason Patric observe their new home in California (Santa Cruz maybe?) in a montage of people with mohawks, piercings, and hanging out by Ferris Wheels.

“Cell Block Tango” from Chicago
Ok, picking a song from an ACTUAL musical may be cheating, but the director totally got the idea of the dream sequence aspect, which the stage production totally missed. Plus, Catherine Z-J is orgasmically amazing in this whole movie. “pop, squish, cicero, lipshitz” or whatever. [video]

Erasure, “A Little Respect” from D.E.B.S.
The supervillainess tries to win back the heart of her lesbian undercover special girlfriend, with the help of her evil henchman. That certainly calls for a montage! [video]

ABBA, “Waterloo”, from Muriel’s Wedding
Can you believe I didn’t really know who ABBA was until I saw this movie? The recreation in costumes and focial expressions and choreography was hokey but enjoyable. It may surprise you to know that I actually don’t love love this movie. I think it was terribly uneven and unfocused. I thought it was a comedy…until Rachel Griffiths has cancer and the mother burns the front lawn and then kills herself. Hahahahaha, funny. [video]

I’m combining some of my favorite things: movie, music, lists, and downloads. I’ve been rewatching some of my old dvds before I sold them on ebay and realizing some filmmakers truly know how to incorporate a song. I recently did the overall soundtrack list, but I’m going to explore the best use of a song in a movie. Not just because the song is good, because it really makes the scene. Some are contrived, I know. There is also a ban on any Cameron Crowe movie or Zach Braff movie. Because they are idiots and try to hard to untilize a soundtrack. Although the “Tiny Dancer” scene in Almost Famous was good the first time I saw it, but is now obnoxious. I digress. If I own the song, I’ve included it.

Edith Pilaf, “Je ne regrette rien” from The Dreamers
Ok, so you’ve just had a threesome with your boyf and your twin brother, then try to commit suicide because your parents found out, but are interrupted by a revolution brewing outside. Random political ending to a movie that is 99% about sex, incest, and daddy issues. Roughly translated means “I’m not sorry for anything”.

Coyote Shivers, “Sugar High” from Empire Records
To save the independent record store, the crazy crew of employees stage an impromptu concert on the roof to raise money. Rene Zellweger fullfills her dream of singing in a band and she’s horrible. She also dances around and chops her hands through the air. It’s bad. But her miniskirt, cardigan, and scrunchie SCREAM mid-90s and I love it. [video]

Tears for Fears, “Head Over Heals” from Donnie Darko
Ok, this is like a film school student saying their favorite movie is Casablanca. This is kind of an obvious one. It’s the single-shot montage of Donnie’s private school where we see his lust for that Jena Malone monstrosity, conflict with the school bully, intro of Patrick Swayze, and a Sparkle Motion rehearsal. And setting the 1980s tone. [video]

Amber, “This Is Your Night” from A Night At the Roxbury
The whole soundtrack is dance music, but this one has a choreographed dance. I love spontaneous choreography in movies (see Superstar). Also, it’s fucking hilarious.

Paul Westerburg, “Waiting for Somebody” from Singles
Maybe it is cheating to use opening credits, because it is easy to incorporate music into it. But the song and the random shots of Seattle in the early 90s completely set the scene and made my 14-year old self want to throw on some thermal pants, cuttoff shorts, and flannel shirt and move into the apartment next to Campbell Scott.

10 Things I Hate About You (1999)

Why it’s awesome: Letters to Cleo are all over this. At this point I thought it would make them super famous, but it never happened. From their rooftop performance to Julia Stiles rocking out to the Notorius B.IG., this ruled.

Standout tracks: “Cruel to Be Kind” by Letters to Cleo; “I Know” by Save Ferris

Party Monster (2003)

Why it’s awesome: A movie about a famous club promoter and club kid without an awesome soundtrack would automatically make this a crappy movie. Well, the movie had its faults, I guess. It was mixed superbly and was my main motivation to join a gym.

Standout tracks: “Give Me Tonight” by Shannon; “Money, Success, Fame, Glamour” by Felix Da Housecat

Velvet Goldmine (1998)

Why it’s awesome: It’s a movie about glam rock, so the ansswer is obvious. Also, a “supergroup” was formed and called themselves Venus in Furs to perform the songs that the characters were supposed to be singing.

Standout tracks: “Tumbling Down” by the Venus In Furs; “Hot One” by Shudder to Think

Pulp Fiction (1994)

Why it’s awesome: If you have a pulse, than it should be quite apparent. Quentin Tarantino in an absolute genius when it comes to using music in movies. This was the movie and the soundtrack that spawned a million wannabees.

Standout tracks: “You Never Can Tell” by Chuck Berry; “Girl You’ll Be a Woman Soon” by Urge Overkill

Romeo and Juliet (1997)

Why It’s Awesome: Barring the “Lovefool” song, this soundtrack also blends modern stuff with a historical Shakespearean take. Remember how wowed you were with the techno-gospel version of “When Doves Cry”?

Standout tracks: “Talk Show Host” by Radiohead; “#1 Crush” by Garbage

A Night At the Roxbury (1998)

Why it’s awesome: it’s all those cliched nineties club hits you never owned the full abums of, but you secretly love the songs, so it’s all packaged in one album. It’s actually mixed together, so it runs like one long dj set. It never gets old.

Standout tracks: “This Is the Night” by Amber; “Insomnia” by

The Rules of Attraction (2002)

Why It’s Awesome: The movie has something vaguely eighties about it, and so does the music. There are artists tracks mixed with the awesome original compositions by tomandandy.

Standout tracks: “Out of the Races and On to the Tracks” by The Rapture; “So Alive” by Love & Rockets”

Death Proof (2007)

Why it’s awesome: Tarantino just picks the right song for every moment, and selection of the song is often a part of the plot. The greusome car wreck set to “Hold Tight” is one of the most haunting images ever.

Standout tracks: “Hold Tight” by Dave Dee, Dozy, Beaky, Mick & Tich; “Baby It’s You” by Smith

Clueless (1996)

Why It’s Awesome: It’s kind of weird how good the songs are but non of the artists ever became popular. I’d like to see a stage version using these songs.

Standout tracks: “Change” by the Lightning Seeds; “Supermodel” by Jill Sobule

Kids (1996)

Why it’s awesome: Most of the songs by Folk Implosion set the ultra-disturbing mood of the film. Each of the characters also have a distinct theme.

Standout tracks: “Daddy Never Understood”by Folk Implosion; “Natural One” by Folk Implosion

Moulin Rouge (2001)

Why it’s awesome: Baz Luhrman is crazy. And incorporates modern pop songs into an over the top musical. And Ewan McGregor sings. Some of it flops, but some of it owns.

Standout Tracks: “Elephant Love Medley”, “Your Song”

Marie Antionette (2006)

Why it’s awesome: The contrast between the historical setting and modern music always wins me over. Sophia Coppolla also understands the awesomeness of new wave.

Standout tracks: “Hong Kong Garden” by Siouxsie and the Banshees; by the Cure; “What Ever Happened” by The Strokes

Queer as Folk (2001)

Why it’s awesome: Back in the first season, when the show was actually groundbreaking, you wished you hung out at Babylon. ANd you needed a guilty pleasure to get you through a long drive. And maybe you wanted to have a dance party but you lost your C & C Factory cassette.

Standout tracks: “You Think You’re a Man” by Full Frontal; “Start Rockin’” by ANtiloop

Trainspotting (1996)

Why It’s Awesome: Because the movie, and especially the soundtrack, actually secretly made you want to do heroin. Again, here is a soundtrack curator with an appreciate for Birtpop and new wave. Although most of the songs were from an earlier time, it seemed that they were written with this movie in mind.

Standout tracks: “Sing” by Blur; “Perfect Day” by Lou Reed

Bend it Like Beckham (2003)

Why It’s Awesome: combines some great Brits (Mel C. of the Spice Girls, anyone?) and some Indian pop music, just like the blending of the cultures in the movie.

Standout tracks: “Inner Smile” by Texas; “Punjabiyan Di Shaan” by Hans Raj Hans

Empire Records (1995)

Why it’s awesome: I watched this movie the other day, and it actually seemed like it was made last year and was parodying the decade of the 90s. In the moment it was current, no it is almost cliche. How many 90s cliches can you pick out? Well, the actually selling of compact discs for one. Liv Tyler’s cobat boots worn with a plaid kilt. Better Than Ezra on the Soundtrack. Rene Zellweger wearing a scrunchie. Too bad her ultra bad version of “Sugar High” is not on the soundtrack. Also, I think the soundtrack sold about 10 million more copies than movie tickets.

Standout tracks: “‘Til I Hear it From You” by the Gin Blossoms; “Girl Like You” by Edwyn Collins

Singles (1992)

Why it is awesome: because the grunge era of fashion/music/lifestyle was so pervasive that a major motion picture company made a movie about it. Take the music and the Seattle location out of the movie, and it’s a piece of crap. It’s the Empire Records syndrome: when a soundtrack outlives and outshines an otherwise crappy movie.

Standout tracks: “Waiting For Somebody” by Paul Westerberg; “Breathe” by Pearl Jam

Magnolia (1999)

Why it is awesome: The whole movie was actually based on the lyrics to one of the songs. And Aimee Mann can write the most beautiful, haunting songs. The scene with the entire cast singing along to “Wise Up” is cinematic genius.

Standout tracks: “Momemtum”; “Wise Up”

Shortbus (2006)

John Cameron Mitchell compiled a collection from some of indie’s “it” bands without it turning into a Zach Braff approved soundtrack. Of course, I am ignoring some of the ridiculous drivel performed by the actors.

Standout Tracks: “If You Fall” by Azure Ray; “Boys of Melody” by The Hidden Cameras

Go (1999)

Intruduced us to the fabulous one hit wonders of the band Len, and included the whole range of pop rock to dance. It truly understands the meaning of quality pop music. Good music for an underappreciated movie.

Standout Tracks: “Steal My Sunshine” by Len; “New” by No Doubt

Donnie Darko (2001)

Why it’s awesome: Another fantastic thing about this movie is that it is set in 1988. The culturural references and fashions are actually accurate, but subtle, and not over the top like The Wedding Singer. Also awesome? There is really no reason for the movie to take place in 1998. But who can forget Sparkle Motion performing to Duran Duran and the slo-mo school sequence set to “Head Over Heels”.

Standout Tracks: “The Killing Moon” by Echo & The Bunnymen; “Love Will Tear Us Apart” by Joy Division; “Never Tear Us Apart” by INXS

more to come!

Wow, the 3+ hours was one of the best moviegoing experiences of my life.

• Robert Rodriguez/Quentin Tarantino are the best directors of our time. Maybe Rodriguez more so.
• One of the best-looking cinemagraphically filmed movies ever, even if content was a bit lacking. Loved the added scratches.
• I can’t beliiieeeeeeeve this didn’t get an NC-17 rating. It just shows the hypocrisy in the rating system. I’d allow my child to see Shortbus and The Dreamers before this. Probaby the most graphically violent movie I have ever seen. Your most gruesome nightmares realized. Heads exploding, people being cooked alive, melting genitals, grusesome car accidents, limbs being torn from bodies, organs being eaten. It’s all there, and more.
• I think I’m in love with Rose McGowan. Gun leg included.
• Fake trailers= incredible.
• Love how they followed old genres but updated it a bit.
• Tarantino is a master of choosing soundtracks.
• Casting was perfect. Love Freddy Rodriguez. Loved Sydney Poitier’s daughter. Even Rosario Dawson was bearable.
• Ok, so there was massive glorified violence, INTENSE misogyny….but is it to be taken for face value or was it used as an homage to a movie genre or used to make a point about exploitation? Either way, not everyone who sees this movie is going to think that deeply, and the violence/misogyny will be subconsciously justified. This is the same thing that worries me about shows like South Park and Reno 911!, which is a veiled social commentary.

Like I said, Quentin Tarantino is a genius when it comes to soundtracks, and understands how it is as important as the movie (Sofia Coppola comes in a close second). Death Proof is no exception. I’m still on the prowl for Planet Terror.

[DEATH PROOF OST]

Tracklist:

1. The Last Race - Jack Nitzsche
2. Baby, It’s You - Smith
3. Paranoia Prima - Ennio Morricone
4. Planning & Scheming - Eli Roth
5. Jeepster - T Rex
6. Stuntman Mike - Kurt Russell
7. Staggolee - Pacific Gas & Electric
8. The Love You Save (May Be Your Own) - Joe Tex
9. Good Love, Bad Love - Eddie Floyd
10. Down In Mexico - The Coasters
11. Hold Tight - Dave Dee
12. Sally And Jack - Pino Donaggio
13. It’s So Easy - Willy DeVille
14. Whatever-However - Tracie Thoms
15. Riot In Thunder Alley - Eddie Beram
16. Chick Habit - April March

Ok, so just a follow up on the finale. If you are interested in the decision to use “All Along the Watchtower” as the signal for cylon identity, read Bear McCreary’s blog entry. He is the composer for the show. Also, here is the Bob Dylan version. Shows how much I know, I thought Jimi Hendrix did the original.

Also, another theory: maybe the song was picked up from a broadcast from earth, and took 40 years to get to the fleet. Therefore, they are 40 light years away from earth.

Another theory: there are no humans, only cylons. Did I just blow your mind?

If you are sick of hearing about bsg, eff off. Let me geek out.

“If You Fall” by Azure Ray- it’s from the Shortbus soundtrack.

I’m not a usual fan of the French band Air, but their sound was the perfect backdrop to the movie The Virgin Suicides (great book, mediocre movie). If you like melancholic, psychadelic French electronica that uses Moog synthesizers, check this out. Really, it’s addicting. I also like soundtracks that really capture the feeling and tone of a movie, not just putting songs on because they are cool (I’m looking at you, Garden State).

[AIR; The Virgin Suicides] [mediafire]

[SOUNDTRACK; Run Lola Run][mediafire][multiply]

One of the best soundtrakcs ever. THere are like four major themes, the rest are just different remixes. Good gym music.

Today’s playlist- some soundtrack stuff. “Non, Je ne regrette rien” is from the closing credits of The Dreamers and “Brutal” is from The Beach- an incredibly underrated film. “The Passenger”, although a classic Iggy Pop song, was most recently used in Trainspotting.

Movies are getting exciting again (planning on seeing The Prestige, Shortbus, and Running With Scissors this weekend), some casting stuff has come up that has tickled my fancy.

Helena Bonham Carter as Mrs. Lovett in Sweeney Todd. Come on, Tim Burton, it’s no feat to hire your wife for the lead in every one of your movies. I was holding out for Kate Winslet.

It looks like a Ramones movie is happening. I have heard that Adrien Grenier is being considered for Joey Ramone. Please god no. At least cast a Jew.

Joseph Fiennes will play composer Vivaldi in a biopic. Do me.

Although The Fountain is rumored to be a snoozefest, the soundtrack looks promising. Darren Aronofsky is reuniting with Clint Mansell, the Kronos Quartet, with contributions by the band Mogwai.

You can count on Sofia Coppola to pair awesome soundtrack music to her films. The French band Air did the music to The Virgin Suicides, and great alternative bands were on the soundtrack for Lost in Translation (the soundtrack by far out-awesoming the movie). For Marie Antoinette (which I am totally stoked to see next week) she uses a blend of classical, modern indie rock, and eighties new wave. I love the pairing of modern music with a period piece. Very Moulin Rouge. Currently, the trailer playing on tv uses THe Strokes’ “What Ever Happened” which I think is perfect.

[ MARIE ANTIONETTE SOUNDTRACK ]

Disc: 1
1. “Hong Kong Garden” - Siouxsie & The Banshees
2. “Aphrodisiac” - Bow Wow Wow
3. “What Ever Happened” - The Strokes
4. “Pulling Our Weight” - The Radio Dept.
5. “Ceremony” - New Order
6. “Natural’s Not In It” - Gang Of Four
7. “I Want Candy (Kevin Shields Remix)” - Bow Wow Wow
8. “Kings Of The Wild Frontier” - Adam & The Ants
9. “Concerto in G” * - Antonio Vivaldi / Reitzell
10. “The Melody Of A Fallen Tree” - Windsor For The Derby
11. “I Don’t Like It Like This” - The Radio Dept.
12. “Plainsong” - The Cure

Disc: 2
1. “Intro Versailles”* - Reitzell / Beggs
2. “Jynweythek Ylow” - Aphex Twin
3. “Opus 17″ - Dustin O’Halloran
4. “Il Secondo Giorno (Instrumental)” - Air
5. “Keen On Boys” - The Radio Dept.
6. “Opus 23″ *- Dustin O’Halloran
7. “Les Baricades Misterieuses”* - Francois Couperin / Reitzell
8. “Fools Rush In (Kevin Shields Remix) - Bow Wow Wow
9. “Avril 14th” - Aphex Twin
10. “K. 213″ * - Domenico Scarlatti / Reitzell
11. “Tommib Help Buss” - Squarepusher
12. “Tristes Apprets..” - Jean Philippe Rameau /W. Christie
13. “Opus 36″ *- Dustin O’Halloran
14. “All Cat’s Are Grey” - The Cure

[Aimee Mann; Magnolia ]

What is there really to say about the soundtrack to Magnolia? Aimee Mann has written some of the most beautiful, depressing music ever. This raised the bar impossibly high for soundtrack music. The great thing is the music surpasses all genres. I think it appeals to anyone, regardless of what you usually listen to. The movie was actually based on these songs. The cover of “One” is phenomenal. Listen now.

[more essential albums]

THis is especially for my favorite law student. Please share as widely as you like. Just don’t turn me in to the RIAA.

Some oldies!
Alice Deejay- Better off Alone [You know you love this one.]

Gigi D’Agostino- I’ll Fly With You [During my summer at Andover all the kids from Europe were obsessed with this song, so now when I hear it, I think of the summer. Sniff.]

Prodigy - Smack my Bitch Up [Okay, so I know the title is misogynist, but it is one of the best techno songs ever.]
Amber- This is Your Night

Oasis- Hello

Radiohead- Creep [I want aperfect body, I want a perfect soul.]

Soundtrack Stuff

The Dust Brothers- Fight Club Theme

Jaan Pechahaan Ho [from Ghost World]

Katy Rose- Overdrive [from Mean Girls]

Full Frontal- You THink You’re a Man [Queer as Folk]

Beck- Everybody’s Gotta Learn Sometime [Eternal Sunshine of the Spotless Mind]

Limahl- Neverending Story

The Rapture- Out of the Races and Onto the Tracks [from the Rules of Attraction]

The Lightning Seeds- Change [From Clueless]

Rent- Another Day [In order to listen to this you have to find someone else so you can duet and sing this at the top of your lungs with overdramatic emotions]

2gether- Calculus [Does anyone remember this show?]

More to come…

Ok, my newest obsession is the title song from the Snakes on a Plane Soundtrack. It is unbelievable catchy:

Cobra Starship; “Snakes on a Plane (Bring It)”

I think someone hacked into my computer and recorded a song and video based on my music slash fiction. The band is sickeningly attractive .Cobra Starship, the band is led by Gabe Saporta, also of the band Midtown, and for the video he recruited Mija Iversson of one of my fave band, The Sounds (I would pay millions to be her), my latest crush, William Beckett of The Academy Is… (tidbit: he also played the vampire in the last Fall Out Boy video) and the guy from Gym Class Heroes.

Two words: SCHWING!

THis blog is slowly turning into a fanzine for emo/pop-punk bands. You know you are getting pathetic when the bands you listen to are 5+ years younger than you are. Although, it is starting to prove my theory that emo bands are the new boybands- they are replacing the N’SYNCs and Backstreet Boys. And I’m okay with that.

I almost forgot to mention that Inside Man is out on dvd this week, and I know I won’t shut up about this movie. But I think it was definitely the best movie I’ve seen this year.

Soundtrack/score is really good too. Here is the song from the opening/closing sequence. Not sure who the performer is.

“Oh my god, you have to listen to the Shins. They will change your life.” - Nat Port in Garden State. Ugh.

The Shins; “New Slang“

I would move to the West Coast simply because of this song.

Everclear; “Santa Monica“

Nada Surf can make anything sound great. Matthew Caws has one of the greatest voices in indie rock.

Nada Surf covers “If You Leave”

This is a mega-soundtrack post. It includes the best clips from the most recent Six Feet Under Soundtrack.

Sia, “Breathe Me“, the fantastic song played during the finale.

Caesars, “(Don’t Fear) The Reaper” is actually a cover of the classic Blue Oyster Cult song. This was played during one of my favorite episodes, when Nate is debating leaving Lisa and they host the biker’s funeral and the widow lends him the bike.

Radiohead, “Lucky” is probably one of the best singles of the 90s and was used when the family has the yard sale and ends up burning the rest of the possesions.